A really important thing that I find a lot of writers need to learn is that backstory is not character depth. You can write an incredibly deep and complex character without ever telling us anything about their past.
Depth comes from complexity. Complexity is found in contradiction. Real people don’t have some simple set of programming that defines them. This is why I despise the alignment system; it’s basically a textbook for creating uninteresting characters. In real life people often hold complex and contradictory (or seemingly contradictory) ideals. Or they profess one ideal but live out another.
Think about a character who lives by a philosophy of always putting themselves first. Think about all the times they do something for someone else, not even really understanding or accepting that they’re breaking their own rule. Think about why they would do that. That’s character depth. Maybe there’s something in their past that explains why they are that way, but we don’t ever need to know what it is. And in truth, most people can’t be summed up as one or two pivotal events. We’re the sum of every single moment in our lives, all put together in one complex mess of a human being.





It’s actually a brilliant monetization model. If you want to use it as is, it’s free, even for large corporate clients.
If you want to get rid of the puppygirls though, that’s when you have to pay.